ROYA FARASSAT: THE MIRROR HAS TWO FACES
The paintings that fill Roya Farassat’s solo exhibition “A Mirror with Two Faces” present a variety of symbolic portraits that reflect the repressive social conditions in her homeland of Iran and the psychological repercussions that have resulted from them. What begins as a form of social critique gives way to a pantheon of ciphers and phantoms that are…
Keep reading with a 7-day free trial
Subscribe to THE OTHER SIDE OF THE DESK to keep reading this post and get 7 days of free access to the full post archives.